"A numerous race, and fierce, as fame reports them,
Were the first colonists, Britain, Chief of the Isles: Natives of a
country in Asia, and of the region of Grafis, A people said to have been
skillful: but the district is unknown. That was mother to this progeny,
these warlike adventures of the sea. Clad in the long dress, who could
equal them? Celebrated for their skill, they were the dread of
Europe..." (The Pacification of Llud).
The Celts left us with a legacy of
their culture in their artwork and literature, a lot of which is being
rediscovered in modern times. Let us briefly remind ourselves of our
history from scholars:
Ages of Pre-history
Palaeolithic or Old Stone Age - 300,000 to
8000 BCE
Mesolithic
or Middle Stone Age - 8,000 to 2,700 BCE
Neolithic
or New Stone Age - 2,700 to 1,900 BCE
Bronze
Age - 1,900 to 500 BCE
Iron
Age - 500 BCE to 43 CE
Ages of Recorded History
Roman Period - 43 to 430 CE
The
Dark ages (Anglo-Saxon and Vikings) - 430 to 1066 CE
Norman
Conquest 2066 to 1154 CE
The
Plantagenets - 1154 to 1216 CE
Medieval
Period - 1216 1377 CE
War
of the Roses - 1377 to 1485 CE
Tudor
Age - 1485 to 1603 CE
The
Stuarts - 1603 to 1641 CE
English
Civil War - 1641 to 1649 CE
Puritans
- 1649 to 1651 CE
The
Stuarts (Restoration) - 1651 to 1714 CE, etc.
When
we look at the history of the Ancient Celts, we have to consider the
aspects in pre-history of which we have little knowledge of. However,
archaeological evidence is useful in determining what happened long ago:
i.e. carbon-dating, geo-physics and other empirical research into sites
that is left of our ancestors existence. Television programmes such as
'Meet the Ancestors' and 'Time Team' are worthy vehicles for the
layperson to learn from, as are magazines like 'Coins and Antiquities'
that offer interesting and intelligent articles for study.
First,
the Ancient Celts were most active around 500 BCE to the first century
CE, placing them around the Bronze/Iron Ages. They were a nomadic race,
and spread themselves far and wide, leaving their influence almost
everywhere they went. If we go back into what is known as our
pre-history, we can discern some of the roots of our Celtic ancestors.
The discovery of Boxgrove Man from the Palaeolithic Age has given us
evidence of how humanity lived long ago. The dating of the stone circles
like Avebury to 2,500 BCE as centres of religious worship, have placed
them in the Neolithic Age, and Stonehenge was built in stages from 3,100
to 1,100 BCE. But by around 2,000 BCE, a new material was being
developed and used instead of stone -bronze, an alloy made of copper and
iron.
The
Beaker People were an enigmatic race who originated from the Rhine,
arriving in Britain around 2,000 BCE. Their name derives from their
peculiar custom of burying pottery in their ancestors burial mounds,
called a Fogou. They also brought with them the skill of making bronze
and new farming methods, which resulted in a population explosion. These
Bronze Age Britons lived a harsh life, living in round wattle and daub
huts in small communities, with some livestock on their farms. By the
Iron Age, things had improved a tiny bit. Hill forts were set up to
serve as defences against invading neighbouring tribes, being
continually occupied and modified over the centuries, and even streets
have been excavated at some, called an oppida. Iron was a stronger
material than bronze, though we have little data as to where the Celts
got it from. This was still a barbaric time and we must not romanticise,
for it was a violent era, especially when the Romans invaded!
It
was also around this time that the Belgae introduced Britain's first
coinage from Gaul, showing the image of the famous 'Gallic Goddess'. The
Celts actually copied the Greek staters as mercenaries serving in Philip
II of Macedon's army hence horses appearing on Celtic Iceni coins in
later times, for example. It was during this time that the La Tene
Culture was springing up and and producing fine jewellery like
diadems, torcs, lunulae, brooches, bracelets, armlets, pins; war items
like swords, shields, daggers, axe-heads, helmets, and domestic items
like mirrors, cauldrons, figurines, buckets and models. The Celts made
these from gold, silver, bronze and semi- precious stones. As the Celts
were fond of throwing their personal objects into rivers, bogs, and
lakes as offerings to the Gods, there are many examples that have
survived intact and are now in museums.
There
also some marked similarities worldwide in Celtic Art to others
cultures, in Chichester Museum during 1998, there was an exhibition
called 'Life before the Romans', and amongst the artifacts on display,
they had a carnelian and jet necklace from Iron Age Scotland that
resembled in construction an Egyptian collarette. In the antiques shop
in Chichester recently, I noticed a piece of Egyptian textile from the
Byzantine Period, that had on it a circular knot work pattern that would
not be out of place in the Book of Kells. Liz Murry also brought back a
piece of pottery from India with a Celtic design on it. Coincidence? One
could argue trade, but I don't think that this accounts for all of it,
as we shall see.
In
J. Romilly Allen's 'Celtic Art' there is a photo of a woman with two
huge penannular brooches on her dress, and bearing in mind that the book
was first published in in 1904, I hope you get the picture! Allen also
writes interestingly of the 'spiral' design, that has so eluded scholars
as to its meaning appearing at places like Newgrange, but was also known
to the Greek Mycenaeans and has appeared in Egyptian tombs dating from
the 12th Dynasty! The design was also known in Scandinavia
and South America. Allen also classifies the main designs from the
Bronze Age as: a) the chevron, b) the Concentric Circle, c) the Spiral,
and d) the Winding Band. Of the symbols employed, he also cites the cup
and ring and the wheel motifs, which had their origins in sun-worship.
Distinguishing between the Goidelic and Brythonic Celts, the former
being the Beaker People during the Bronze Age and latter the later
influx from Europe during the Iron Age, he lists archaeological finds as
being: a) sepulchural remains, b) remains found on inhabited or
fortified sites, c) hoards of objects purposely concealed, d) objects
accidentally lost, and e) sculptured rocks and stones. Of the pottery
left by the Beaker People, he classifies them as : a) cinerary urns, b)
food vessels, c) drinking cups and d) incense cups. For the Iron Age
alone, with regards to dating, the finds are classified as: a) burials
of a particular kind, b) objects from the Bronze Age, c) finds from the
Hallstatt Culture, d) finds like brooches (Celtic 'safety pins'!) of Las
Tene Culture, e) objects imported from Celtic Europe, f) finds of
ancient British coins, g) objects on Romano-British sites, and h) finds
of Roman origin. There is more of Allen's book than space permits, so I
refer the reader to it for further study.
Celtic
knotwork though known in the Iron Age, really came of age during the
Celtic Christian period when a resurgence occurred, This era produced
some fine intricate designs that will be familiar many. The knot work
signifies eternity, and the recent wave of interest in Celtica has meant
that these designs are becoming popular again in shops like 'Past Times'
on the High Street. The Celtic Christians also produced some lovely
jewellery, like the famous 'Tara Brooch' from Ireland, a credit to the
craftsmanship of the Celtic people considering what tools and conditions
they worked with! Despite the last 4,000 years, from the Bronze Age to
the start of the Space Age, some designs haven't changed a bit and are
still as popular as ever. Maybe because of their simplicity and also
because they touch us from our ancestors, speaking to the depths of our
psyches of lost mysticism, that was also shared by other peoples
likewise in the ancient world.
By Sarah Rooke, Archdruidess, Berengaria Order.
Some
Suggestions for Further Reading
Ancient England - Nigel Blundell and Kate Farrington
Pagan
Celtic Britain - Anne Ross
Celtic
Coinage in Britain - Philip de Jersey
Practical
Celtic Magic - Murry Hope
Meet
the Ancestors - Julian Richards
Time
Team - Mick Aston and Tim Taylor
'Coins
and Antiquities' magazine (available monthly)
ooOoo